Category: design

  • First QSL Card

    First QSL Card

    For the non-ham, a QSL card is basically a postcard-sized print copy confirmation of an on-air contact. Dating back to the days well before we were confirming contacts on the internet, QSL cards are a bit of a historical relic, or more appropriately, a tradition that is unfortunately not just modernly uncommon but also seemingly an afterthought.

    Last year was my first in ham radio. I made just over 100 contacts during my SOTA activations (100 is not that many) but I only received one QSL card—a less than 1% return. And actually that’s not even true, because my first card received was from an activation I did in Jan of 2025… but the point remains, it doesn’t seem to be common.

    I was excited to receive my first QSL card. Most of these cards are quite personal, with a photo of either an operator’s radio shack, hobby, or nearby landscape scene. This card was a nice picture of Mount Hood, as KD7J lives just north of Portland in Scappoose, Oregon.

    This was the nudge I needed to make my own card. I began to research how because I naturally wanted to know what expected information to include, if there was a preferred size, etc. and I was greatly disappointed to have returned to me videos and write-ups such as “The simplest easiest cheapest QSL Cards” and “Get One Thousand Custom QSL Cards for $61!” and “QSL Cards in 2 Minutes”.

    Kindly fuck off. Or, more eloquently, as a great Jedi Master once said, “Do or do not. There is no try.”

    To be clear, I understand that as a graphic designer / photographer / artist I’m an anomaly. But for a crowd that purports itself as a one that carries traditions forward… this anti-QSL card mentality feels, quite frankly, hypocritical.

    Anyhow. This is my realm and my opportunity to accurately represent my own scruples. So here’s my process:

    1. During the approach and activation of the summit, photos are taken with both a 35mm and 120 format camera on, typically, black-and-white Ilford HP5+ film.
    2. Post-activation, the film is developed and scanned into the computer at home.
    3. If a QSL card is received from a contact on that SOTA activation, a representative photo from that trip is chosen and printed out on Hahnemühle 4×6 photo cardstock.
    4. Overprinted on the photo is a rubber-stamp of my callsign along with icons of the Cascade Radio Club and SOTA organization.
    5. On the back of the card, I print out the pertinent information (date, mode, etc, rst, summit code, etc.) with a fountain pen using a Sailor state-specific ink color.

    Could I possibly make this any more of a pain-in-the-ass, cost-prohibitive exercise in pretentiousness? I think not. But if you receive a QSL card from me, know that I truly valued our contact, your chase, and hold a deep respect for the hobby.

    To fair, my first QSL card is a bit sucky. But one shouldn’t hide their imperfect work. If you put in the effort and learn something, it’s solid. My next will be better.

  • Track Banners

    Track Banners

    The indoor track at the Washington State University student rec center (UREC) was a bit dated—at least a decade old at this point. They called me up to refresh the seven wall graphics around the track; each 7×9-foot installation a nod to a unique facet of UREC’s student recreation opportunities & spirit.

  • Campus Rec Mural

    Campus Rec Mural

    An indoor wall graphic I was commissioned to design for the WSU Student Rec Center featuring club sports historical and present. Representative movement through the mural encourages the viewer to progress along the hallway towards their physical goals while the screen and bench provide opportunity to pause and investigate.